Beethoven 9th Symphony Choral 'Ode to Joy' 4th Movement – Xemloibaihat.com cập nhật mới

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Now with English and German Closed Captioning CC Subtitles. The 4th and final movement of Beethoven’s 9th Symphony op.125 in D minor “An die Freude” (Ode to Joy). Let me know where you are performing it next in the comments below.

Symphonie Nr. 9 d-Moll op. 125 (1815 – 1824) – Vierter Satz

I need your help! Do you recognise this recording? It is a copyright-free recording from the YouTube library, but they give no details of the artists involved! I think the choir do a great job! But can you tell which word (or vowel?) gives away that they are not native German speakers? Leave a comment below. Text and musical bookmark timings are written below.

MUSICAL BOOKMARKS:

“O Freunde”: 6:35
“Freude, Freude!”: 7:15
“Deine Zauber”: 7:46
“Küsse Gab”: 9:18
“Froh”: 10:40
“Laufet Brüder”: 11:16
“Freude, schöner”: 13:19
“Seid umschlungen”: 14:09
“Ihr stürzt nieder”: 15:39
“Seid umschlungen” Allegro energico: 17:19
Allegro ma non tanto: 19:56
“Freude, Tochter aus Elisium”: 20:11
Poco Allegro, stringendo (“Seid umschlungen”): 22:09

Friedrich Schiller (1759–1805)
vgl. “Ode an die Freude” / cf. “Ode to Joy” (1785):
GERMAN TEXT/LYRICS

O Freunde, nicht diese Töne —
Sondern lasst uns angenehmere
Anstimmen und freudenvollere

Freude, schöner Götterfunken,
Tochter aus Elysium,
Wir betreten feuertrunken,
Himmlische, dein Heiligthum.
Deine Zauber binden wieder,
Was die Mode streng getheilt;
Alle Menschen werden Brüder,
Wo dein sanfter Flügel weilt.
Deine Zauber binden wieder,
Was die Mode streng getheilt;
Alle Menschen werden Brüder,
Wo dein sanfter Flügel weilt.
Wem der große Wurf gelungen,
Eines Freundes Freund zu sein,
Wer ein holdes Weib errungen,
Mische seinen Jubel ein!
Ja, wer auch nur eine Seele
Sein nennt auf dem Erdenrund!
Und wer’s nie gekonnt, der stehle
Weinend sich aus diesem Bund.
Ja, wer auch nur eine Seele
Sein nennt auf dem Erdenrund!
Und wer’s nie gekonnt, der stehle
Weinend sich aus diesem Bund.
Freude trinken alle Wesen
An den Brüsten der Natur;
Alle Guten, alle Bösen
Folgen ihrer Rosenspur.
Küsse gab sie uns und Reben,
Einen Freund, geprüft im Tod;
Wollust ward dem Wurm gegeben,
Und der Cherub steht vor Gott.
Küsse gab sie uns und Reben,
Einen Freund, geprüft im Tod;
Wollust ward dem Wurm gegeben,
Und der Cherub steht vor Gott.

Froh, wie seine Sonnen fliegen
Durch des Himmel prächt’gen Plan,
Wandelt, Brüder, eure Bahn,
Freudig, wie ein Held zu Siegen.
Wandelt, Brüder, eure Bahn,
Freudig, wie ein Held zu Siegen.
Wandelt, Brüder, eure Bahn,
Freudig, wie ein Held zu Siegen

Freude, schöner Götterfunken,
Tochter aus Elysium,
Wir betreten feuertrunken,
Himmlische, dein Heiligthum.
Deine Zauber binden wieder,
Was die Mode streng getheilt;
Alle Menschen werden Brüder,
Wo dein sanfter Flügel weilt.
Deine Zauber binden wieder,
Was die Mode streng getheilt;
Alle Menschen werden Brüder,
Wo dein sanfter Flügel weilt.

ENGLISH TEXT/LYRICS*

*See closed caption CC subtitles.

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47 thoughts on “Beethoven 9th Symphony Choral 'Ode to Joy' 4th Movement – Xemloibaihat.com cập nhật mới

  1. Bernetta Washington says:

    Performed this with Hartford Symphony in college- sang in Opera Chorus. It was finals week. Contralto section was asked to sing tenor because they were weak😂. Rehearsal night bunch of people fell asleep during third movement and FELL OFF THEIR CHAIRS WHEN THE HORNS STARTED THIS MOVEMENT- priceless!😂😂😂😂😂😂

  2. Caters Carrots says:

    Skeleton of Theme: 2:40
    Variation 1: 3:32
    Variation 2: 4:19
    Variation 3, Full Orchestra: 5:05
    Callback to First Movement: 6:27
    Solo: 6:35
    Variation 4, Concerto moment: 7:15
    Variation 5, Tutti: 7:26
    Variation 6, Soprano added: 8:06
    Variation 7, Neighbor variation: 8:51
    Variation 8, Turkish March: 9:53
    Variation 9, Fugue 1: 11:36
    Variation 10, Glory after Fugue: 13:20
    Variation 11, Hymn 1: 14:10
    Variation 12, Fugue 2: 17:20
    Variation 13, Mystery turns to Hymn 2: 19:02
    Variation 14, Canon: 19:56
    Variation 15, Hymn 3: 20:43
    Variation 16, Presto: 21:03
    Variation 17: Hymn 4: 21:13
    Variation 18, Prestissimo: 22:08

  3. Gangflow says:

    You can tell the singers are not German-speaking by hearing certain consonants, as "HeiliGthum" for the barritone. And also some wovels, like "wErden" for the chorus.
    Also, the chorus does a good job here but they're definitely amateurs (thats not a criticism, just a comment based on their singing technique!)

  4. 2h says:

    This piano arrangement is excellent and, needless to say, much easier than the Liszt transcription haha. Beginning to learn it now.

  5. Patrick McMahon says:

    My university choir and orchestra were supposed to perform this in April, but that didn’t happen because of COVID. Next year will be my senior year; if we still get to perform this… what a way to end my college career!

  6. Rita Uliana says:

    here in Espírito Santo, a state of Brazil, The choir of the Universidade do Espírito Santo will present it on March, 21th. I'm so proud of singing it again! It is so amazing!!!

  7. Kriss Kaña says:

    Tomorrow, October 11th, I will perform this symphonie at the Auditorio Nacional de Música de Madrid, it's extremely praising, an energetic experience!!!

  8. Marc O'C. says:

    As OP says, the choir does a great job. However, they have a tendency to make their [sh] sound a bit like [s] (unfortunately no IPA symbols available, sorry), and their vowels are a bit too fronted for native Germans (particularly [e]). But brilliant recording nonetheless, just pointing this out as it's mentioned in the description.

  9. Othon César says:

    Just cant get enough of this piece. I'm 30 and I listen to it carefuly since I was 17… Its like watching the same movie over and over again and getting new details each time. Without a shadow of a doubt, the greatest thing a human being ever created.

  10. Othon César says:

    Just cant get enough of this piece. I'm 30 and I listen to it carefuly since I was 17… Its like watching the same movie over and over again and getting new details each time. Without a shadow of a doubt, the greatest thing a human being ever created.

  11. ShadowMeme BFDI says:

    This was composed in 1824,it was an priemeire in Vienna,more than 20,000 people attended his symphony no.9 4th movement,when it’s done,the Composer that composed for him touched his shoulder and the people show joy to Beethoven so he can understand they all liked the performance,during his death,20,000+ people attanded before he already died 3 years later in 1827

  12. LauraUrsel says:

    I only came for the Freude schöner Götterfunken Choir nur stayed for the whole thing, because it just took my brecht away. Imagining that Beethoven composed this masterpiece deaf is just another Level. He was a genius and I‘m in awe of these harmonies and arrangements.

  13. Alex on the Edge says:

    27 July 2019, 7:30pm, for the Mendocino Music Festival. We last performed this in 2008; it was one of the most thrilling experiences of my life. Standing on a stage, surrounded by exquisitely glorious music — the very best! I can hardly wait for this summer's performance. And yes, just exercising my soprano voice (more used to singing jazz & folk) back up to strength for those high A's requires dedication. Love it!

  14. Elizabeth Helwagen says:

    The Springfield Symphony (Ohio) is performing this on May 18, 2019. I just joined the Springfield Symphony Chorale to learn and perform this piece. I agree with Jacob Moreno that this is a very difficult work. I will be practicing hard for the next several weeks!

  15. Rob Harris says:

    It was so so great seeing the German choir notes with the music and the translation for this magnificent masterpiece. I will be seeing this again to learn the Baritone part and be able to sing with it when I listen to it in the not too distant future! Thank you so much. God bless you!

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